All finishes

PaintPotassium silicate

Peinture au silicate

The mineral paint that makes no film: it bonds chemically into a mineral substrate and becomes part of the wall.

A Pellegrini mural in Basel, painted in Keim mineral colours in 1921–1923 and still outdoors.

A Pellegrini mural in Basel, painted in Keim mineral colours in 1921–1923 and still outdoors.

Photo EinDao · CC BY-SA 3.0 · Wikimedia Commons

At a glance

Thickness0.1–0.2 mm
Water
Splashes
Outside
Exposed
Floor
Walls only
Upkeep
Almost none
Vapour
Vapour-open

What it is made of

Potassium silicate as the binder, mineral fillers (calcium carbonate, dolomite, talc), mineral pigments. Two forms not to be confused: pure silicate, two-component, which needs a mineral substrate and petrifies into it; and dispersion silicate, one-pot, with up to 5% organic content — the NF T 30-808 limit — which goes over a wider range of substrates.

Application

The support

A mineral support: render, concrete, stone, old mineral paints. Strip organic paints that flake; apply the silicate fixative of the same system. Mask glass and natural stone — silicate etches them.

Tools

Alkali-resistant brush or roller, gloves and goggles.

Steps

  1. 1Base coat: paint thinned with the system’s fixative, per the maker’s sheet.
  2. 2Finish coat neat, laid in one even pass per wall section.
  3. 3Never paint in full sun, in frost or on a soaked ground.

Drying

12 h between coats; silicification continues for weeks.

The trade’s general sequence, at about 20 °C. Where a producer publishes its own data sheet, that sheet wins.

Price

No producer in this catalogue sells this finish with a published price yet. It is described here for what it is; the catalogue will list it once a producer publishes one.

Upkeep

The most durable mineral here: it takes gentle washing and lasts twenty years on a facade without flaking, having no film to flake.

  • Demands · Almost none
  • Vapour-open